Ua paʻi ʻia ka poloka Gapers mai ʻApelila 22, 2003 a Ianuali 1, 2016. E waiho ʻia kēia pūnaewele i waihona ʻia. E ʻoluʻolu e kipa iā Third Coast Review, kahi pūnaewele hou i hana ʻia e kekahi mau alumni UK. ✶ Mahalo no kāu poʻe heluhelu a me nā haʻawina. ✶
Ua hoʻoholo wau e lawe i ka luʻu a kākau i ka pou hope loa ma Gapers Block a hoʻopaʻa iā ia no hoʻokahi hola. He mea hoʻoponopono ʻaoʻao kūlana wau no hoʻokahi makahiki a he mea kākau pāʻani/moʻolelo no kahi kokoke i ʻekolu mau makahiki. ʻOi aku ka liʻiliʻi ma mua o ka nui o nā mea kākau GB kiʻekiʻe, akā i loko o ia manawa ua kākau wau i 284 mau ʻatikala. E haʻo nui wau iā Gapers Block. He mea hoʻokiʻekiʻe noʻonoʻo a me ka naʻau ke loaʻa kahi kahi e hiki ai iā ʻoe ke kākau mau e pili ana i nā hana noʻeau aʻu e aloha ai - keaka, nā kiʻi, ka hoʻolālā, ke kuhikuhipuʻuone, a i kekahi manawa nā puke a i ʻole ke mele.
Ua paʻi ʻia kaʻu ʻatikala mua i Mei 2013 ma ka ʻaoʻao kalapu puke. He hiʻohiʻona kēia o ka mea pena kiʻi punk rock o nā makahiki 70 ʻo Richard Hell, i ʻike nui ʻia no kona pālule "Please Kill Me". Kamaʻilio ʻo ia, pane i nā nīnau, a kau inoa i kāna puke hou ma kahi hale waihona puke ma Lincoln Avenue (ua moeʻuhane wau he bum maʻemaʻe loa wau) a ua laki wau i ka ʻike ʻana i ka mea hoʻokani bass a me ka mea mele ma ka ʻaoʻao o Voidoids, Television a me Heartbreakers. Ua kōkua nui aku ia i ka wā i noi mai ai ka mea hoʻoponopono kalapu puke iaʻu e kākau i kahi moʻolelo e pili ana iā ia.
He kiʻi pop paha na kou makuakāne, akā ʻo ka hana i hōʻike ʻia ma ka hōʻikeʻike hou o ka Hale Hōʻikeʻike o nā Kiʻi Hou he mea hou a hoihoi nō hoʻi. ʻO ke kiʻi i hoʻopūhoihoi i ka poʻe kiʻi o ka honua i 50 mau makahiki i hala aku nei, he mau moʻolelo nō ia e haʻi aku ai i kēia lā.
Hoʻonohonoho ʻia e MCA, lawe pū ʻo Neo-Pop Art Design i 150 mau ʻāpana kiʻi a me ka hoʻolālā i loko o kahi hōʻike piha i ka naʻauao a me ka wiwo ʻole. Hoʻomanaʻo ia iā ʻoe pehea i hoʻohenehene mua ʻia ai ka "The Art of Campbell's Soup Can" a Andy Warhol e ka poʻe ʻike ʻole. ʻO ia ka manawa i ala ai nā mea hōʻiliʻili elite a hoʻomaka e kūʻai iā Warhol.
ʻO ka wehe ʻana i ka ʻoiaʻiʻo, ka haʻi ʻana i nā moʻolelo i haʻi ʻole ʻia, a me ka hoʻokuʻu ʻana i nā pilikia weliweli hiki ke lawelawe ma ke ʻano he hoʻomaʻemaʻe ʻuhane a me ka naʻau. Ma ka papahana "Kane" a Corinne Peterson, ua kono ʻia nā mea hele mai ma Chicago e komo i kā lākou mau papa hana lepo a me ka porcelain a kaʻana like i kā lākou mau trauma e ʻike iā lākou e ʻālohilohi ana. Ua kauoha ʻia nā kānaka e hana i kahi "pōhaku" mai ka lepo e hōʻike i ko lākou pouli a i ʻole ka trauma i loko, a laila hana i kahi hōʻailona liʻiliʻi o ka mālamalama mai ka porcelain. Ma hope o ka seminar, ua hōʻike ʻo Peterson i kahi puʻu i loko o ka "pōhaku" lepo a kau i kahi hōʻailona porcelain ma luna o ka stele ma ke ʻano he ao o ka manaʻolana.
I kēia manawa ma Lillstreet Art Center, ʻo Peterson's Cairn and the Cloud: Collective Expressions of Trauma and Hope, i hana ʻia e nā lālā o nā hale hana he 60 a ʻoi, aia nā kiʻi lepo he nui e kono ana i ka noʻonoʻo a me ka noʻonoʻo ʻana.
Ua noho pū au me ka mea pena kiʻi ma ʻelua mau noho noʻonoʻo ma kahi hōʻikeʻike a kūkākūkā i nā manaʻo ma hope o ka papahana a Kane a me ke ao holoʻokoʻa o ka trauma a me ka manaʻolana.
Ua komo nā haumāna, nā mea paʻi kiʻi, a me nā mea kākoʻo mōʻaukala o Chicago i loko o ke mele a Richard Nichol no ke kūlanakauhale a me kona hoʻomanaʻo. Akā, he moʻolelo wale nō ke kūkākūkā nickel maʻamau: nā poʻe i hāʻawi i ko lākou ola no ke kūkulu ʻana.
ʻO ka mea pōmaikaʻi, ua paʻi ʻo Urban Archives Press ma Chicago i kāna puke ʻelua e pili ana i ka mea paʻi kiʻi a me ka mea hoʻoikaika ʻo Richard Nickell: Dangerous Years: What He Sees and What He Writes. He manawa kūikawā kēia puke e ʻike ai i ka hana a Nickel a i ka manawa like e aʻo ai e pili ana iā ia ma ke ʻano he kanaka ma o nā kiʻi he 100 a ʻoi a me nā palapala he 100 ʻē aʻe, he nui o ia mau mea i kākau lima ʻia e Nickel.
Pepa liʻiliʻi me kahi leka e pili ana i nā haʻawina a Nickel ma ke kula hoʻolālā a me kahi kiʻi ponoʻī mua.
Ua mālama aku nei nā mea paʻi kiʻi ʻōpio ʻewalu o Iran e hōʻike ana i nā wahi like ʻole o ko lākou ʻāina i kahi hōʻikeʻike kakaikahi ma ke Kikowaena Hana Noʻeau ʻo Bridgeport ma 1200 West 35th Street. Ke hoʻomau nei ka hōʻikeʻike a hiki i kēia lā.
Hōʻike ʻo Journey Inward i ka hana o kahi papahana nui e pili ana i ʻewalu mau mea paʻi kiʻi Iran e hōʻike ana i ko lākou ʻāina me ke aloha. Aia ka papahana i ʻelua ʻāpana. ʻO ka mea mua, komo nā mea pena kiʻi i ke aʻo ʻana e aʻo mai nā poʻe ʻē aʻe ma ka ʻoihana ma o nā papa hana a me nā kumuwaiwai ʻē aʻe. ʻO ka hōʻikeʻike ka ʻāpana ʻelua o ka papahana.
Ua ʻike paha ʻoe i nā hae alanui i hōʻike ʻia ma ke kikowaena kūlanakauhale a i ʻole nā ​​mea kūʻai kūpaʻa, akā i ka mahina aʻe e hoʻi hou mai ana ka One of a Kind Show and Sale me kāna 15th Annual Holiday Sale. E hōʻuluʻulu mai ka hanana kūʻai mea hana lima ma mua o 600 mau mea pena kiʻi, nā mea hana lima a me nā mea hoʻolālā mai ʻAmelika Hui Pū ʻIa.
Ma Nowemapa 13, ua wehe ka Elephant Room Gallery i kahi hōʻikeʻike hou na Jennifer Cronin, he kamaʻāina ʻo Illinois, nona ka papahana hou ʻo Shuttered e hōʻike ana i kahi hōʻiliʻili o nā kaiāulu i hoʻopau ʻia ma ka hema loa, nā kiʻi maoli o nā hale. Eia kahi ninaninau leka uila e kamaʻilio ana e pili ana i ka hoʻomaka ʻana o Cronin i ka pena ʻana, ka hoihoi i ka hoʻolālā hale ʻo Chicago, a me ka nānā ʻana i nā kikoʻī.
Ua hāʻawi mai nā hanana weliweli a weliweli iā kākou a pau i ka leʻaleʻa i kēia wā hoʻoilo mahana. Ke ʻai nei nā kupua a me nā ʻiole ma ke alaloa i nā paukena ma ka lānai, a ke manaʻolana nei au ʻaʻole wau wale nō ka mea e manaʻo nei i nā makaʻu weliweli i kēia kau Halloween. No laila, eia kahi papa inoa o 14 mau hana keaka hoihoi a me nā hana noʻeau ʻē aʻe (me ke kaʻina kikoʻī ʻole) no ʻoe e hoʻolauleʻa ai i ka Halloween i kēia makahiki.
ʻO kahi wale nō "retro leʻaleʻa" o Chicago e hāʻawi iā ʻoe i ke kumu e hauʻoli ai i ka burlesque, comedy, circus, magic a me ke ola pāʻina i kēlā me kēia pō a hiki i ka hopena o ʻOkakopa. ʻAʻohe mea ma ʻaneʻi koe wale nō ka witches Cabaret ma ke kumuhana o nā witches i nā Pōʻakahi ma 7:00. Lawe mai nā hana i kēlā me kēia pō ma ka hola 8pm i kahi ʻike kilokilo ʻē aʻe i ka Uptown Underground, e hōʻike ana i ke koko, ka striptease, nā hana circus a me nā mea hou aku. Paipai ʻia ka hoʻopaʻa mua ʻana no 21+. Kaomi ma aneʻi no ka ʻike hou aku.
ʻO kēia makahiki ka 17th Benefit Art Auction e mālama ʻia ana e ka Chicago Museum of Modern Art ma hope o ʻelima mau makahiki. E kūʻai ʻia aku ana nā hana a nā mea pena kiʻi ma mua o 100, mai nā kiʻi pena a i nā kiʻi kālai ʻia, i kēia Pōʻalima me nā malihini ma mua o 500.
I ka wā ma mua, ua mālama ka MCA i nā kūkala kiʻi no nā hale hōʻikeʻike me ka holomua nui. I ka makahiki 2010, ua hōʻiliʻili ka hale hōʻikeʻike i $2.8 miliona mai nā mea kūʻai aku a ua hiki ke hoʻolaha i nā loaʻa kālā ma luna o kekahi mau makahiki kālā. "Hele pololei nā kālā āpau e kākoʻo i ka misionari koʻikoʻi o ka MCA," wahi a Michael Darling, ka luna mālama nui o James W. Alsdorf, nona nā kuleana e pili ana i ka hōʻiliʻili kālā no nā papahana a me ka hoʻonaʻauao ma ka hale hōʻikeʻike.
Ua humuhumu ʻia nā ʻāpana o ko kākou noʻonoʻo e hana i nā hoʻomanaʻo kūlike; ʻo ka hauʻoli o ka nānā ʻana a me ka hoʻolauleʻa ʻana i nā hana o kēlā me kēia lā ma o ka pilina ʻike maka, ke kamaʻilio ʻana, a me nā aesthetics ke kumu o nā kiʻi kālai ʻia a me nā hana lepo a Lynn Peters.
Ma ke Kikowaena Hana Noʻeau ʻo Lillstreet, ke kālele nei ka hōʻikeʻike "Spontaneity Made Concrete" i nā moʻolelo pōkole o ke ola. ʻO kāna mau hana, e kau ana ma nā paia, e hōʻike ana i nā holoholona, ​​​​nā kānaka a me nā ʻano e kōkua ana i ka ʻākoakoa ʻana o kekahi mau mokulele e kū nei i ka manawa like. Eia kekahi, hoʻohana ʻo Peters i nā kiʻi paʻi kiʻi a me nā kikokikona e hoʻoulu i ka poʻe nānā, e hoʻohui ana i nā pāpāho he nui ma ke ʻano he kua no kahi kumu kiʻi. ʻO Stolen Moments kahi hana nui e hōʻike ana i ʻehā mau kiʻi kālai ʻia, i kapa ʻia ʻo Statue of Liberty, The Thinker, Mona Lisa a me Untitled, kahi logo seramika o ka inoa like, a me kahi kiʻi ʻeleʻele a keʻokeʻo. ʻO ka hana, ma ke ʻano kumuhana a me ka hōʻike ʻia, ʻo ia ka mea hoʻokolohua loa i ka hōʻikeʻike, e hoʻohana ana i ka noʻonoʻo, ka ʻāpana a me ka hihiʻo ma ke ʻano he kumu o ka ʻike. Aia ke kiʻi o ke kaʻa ma waho o ka Hale Kūʻai ʻo Ark Thrift ma Wicker Park, me ʻehā mau kiʻi kālai ʻia ma ka paia ma ke kua. ʻOiai ua piha ka hale kūʻai me nā lole, nā lako, a me nā knick-knacks, ua ʻike ʻo Peters ʻo ke kaʻa kahiko a haki ka hōʻailona o ka Ark no ia wahi. I loko o ke kaʻa, e like me ka Ark, aia nā mea huna i ʻike ʻole ʻia, kahi puʻu o nā ʻōpala a me nā ʻano hana o ka makahiki i hala.
He papahana wikiō ʻo VICO ma Mexico City e mālama ana i nā papa hana a me nā papa hana e paipai ana i ke aʻo ʻana i ke kiʻiʻoniʻoni hoʻokolohua a me ke kinematography. I kēia manawa, ua hōʻike ʻo VICO no ka manawa mua ma Chicago i ka hōʻikeʻike "Antimontage, Correcting Subjectivity", me kahi moʻo o nā kiʻiʻoniʻoni pōkole i hana ʻia e nā haumāna ma kahi papa hana i alakaʻi ʻia e Javier Toscano. Hoʻokipa pū ʻia e Little House lāua ʻo Comfort Film, hōʻike ka hōʻike i 11 mau kiʻiʻoniʻoni pōkole mai nā mea pena kiʻi kuʻuna ʻole a i ʻole nā ​​mea hana ʻaʻole i manaʻo iā lākou iho he mau mea pena kiʻi.
ʻO ke kiʻiʻoniʻoni i hōʻike ʻia he moʻo o nā kiʻi i hoʻohana hewa ʻia, nā wikiō YouTube, a me nā pōʻaiapili politika e uhi ana i nā ʻāina moʻomeheu a me nā kikohoʻe o Mekiko. Ma My Sweet 15 a Dulce Rosas, ua komo kekahi mau wahine ʻōpio a hana ma kā lākou quinceañera. ʻO ka mea maʻamau, ʻaʻahu kēia mau wahine i nā lole nani, nā mea hoʻonani, a me ka make-up no ko lākou lā hānau 15. Ma ke kiʻiʻoniʻoni pōkole ʻo Rosas, hoʻohana ka mea pena kiʻi i nā kiʻi o nā kaikamahine e hula ana, e hoʻolauleʻa ana a e hoʻomākaukau ana no ka pāʻina e hiki mai ana. I ka hoʻomaka ʻana o ke kiʻiʻoniʻoni, e uē ana kekahi kaikamahine a e ʻapo ana. Hōʻike ʻo ia i hoʻokahi a ʻoi aku paha mau kuleana e hiki mai ana ma ka quinceañera. Ua hoʻohanohano ʻia ka pōkole, ʻoiai he nui nā wikiō e hōʻike ana i nā kaikamahine e hula ana me nā pēpē a i ʻole ke kū nei ma kahi kokoke i nā kaʻa pipiʻi. I ka nānā mua ʻana, ua like ia me kahi prom ʻōpio All-American.
Ua hōʻike ʻia ka hōʻike hopena pule ʻo Chicago Expo 2015 ma ka Navy Pier Festival Hall i 140 mau hale hōʻikeʻike mai nā wahi a puni o ka honua. Ma kahi lewa ʻoliʻoli, ua hoʻokuʻu ʻo THE SEEN, ka lālā hoʻoponopono kūʻokoʻa o ka hōʻikeʻike, i kāna puke paʻi mua i ka hopena pule, a ua mālama ʻo /Dialogues i ʻekolu mau lā piha i nā kūkākūkā panel a me nā kamaʻilio. Hāʻawi ʻo IN/SITU i nā hoʻonohonoho nui a me nā hana kikoʻī ma kahi ma nā hale ākea i loko a ma waho o ka Navy Pier.
ʻO ka ʻāpana poina ʻole o ka papahana IN/SITU, ma muli paha o kona wahi, ʻo ia nā puka makani ʻekolu a Daniel Buren, ka mea e hoʻomālamalama ana i ka wahi a hoʻopuka i nā kala i kona kau ʻana mai ke kaupaku. Ua nalowale ke koena o ka hōʻikeʻike i ka holo nui ʻana o nā malihini, a ua kau ka manaʻo o ke kino i hoʻāla ʻia ma luna o nā mea liʻiliʻi ma ka hale kūʻai, e nānā ana i luna i nā mea i luna a huki mai i nā kūʻai aku.
ʻO nā mea pena kiʻi e like me John Rafman a i ʻole Paolo Sirio, ka poʻe e hoʻohana nui ana iā Google Street View ma ke ʻano he mea hoʻolaha, hana lākou i nā kiʻi hoʻonāukiuki a hoʻonāukiuki hoʻi e hoʻopōʻino pinepine i nā palena o nā pilikia pilikino kānāwai. ʻOiai he mea hoihoi ke kiʻi ʻana i nā kānaka ma nā alanui, nā alaloa a me nā lau nahele a puni ka honua, hoʻohana pū kēia mau mea pena kiʻi i ka lehulehu a me nā mea hana ʻē aʻe e noʻonoʻo ai i ke aupuni lehulehu. Mai ka makahiki 2007, ua lilo ka ʻenehana panorama i hōʻike ʻia ma Google Maps a me Google Earth i ala ʻē a maʻalahi hoʻi e ʻike ai i nā wahi i kipa ʻole ʻia e ka poʻe a i ʻole makemake ʻole e kipa.
E noʻonoʻo iā Mark Fisher, he mea hōʻiliʻili lehulehu o kāna mau hoʻolālā, a me kāna hōʻikeʻike hou ʻo Hardcore Architecture ma Franklin. Ma mua o ka hoʻokipa ʻana o Mark, ua ninaninau au iā ia ma o ka leka uila.
I kēia hopena pule, e hōʻike ana ma mua o 30 mau mea pena kiʻi i kono ʻia i kā lākou hana ma ka ʻAhaʻaina Around the Coyote ma ka Flat Iron Arts Building ma Wicker Park.
Aia kahi ʻahaʻaina ʻekolu lā a puni ʻo Coyote e hoʻolauleʻa ai i nā hana noʻeau a me nā mea pena kiʻi o Wicker Park. Mai ka Pōʻalima a hiki i ka Lāpule, hiki i nā malihini ke komo i ka Flat Iron Arts Building e kipa aku i nā studio o nā mea pena kiʻi, e hoʻolohe i nā mele ola, a nānā i nā hōʻike keaka. Hoʻomaka ka ʻahaʻaina me kahi ʻaina ahiahi gala ma ka Pōʻalima mai 18:00 a 22:00.
ʻO Synesthesia, e like me ka inoa e hōʻike nei, he "manaʻo i ʻike ʻia ma nā ʻāpana o ke kino ʻē aʻe ma mua o ka ʻāpana i hoʻohālike ʻia" a pili pinepine ʻia me ke mele i manaʻo ʻia he kala. ʻO nā hihia kaulana o kēia maʻi e komo pū ana me David Hockney, Duke Ellington lāua ʻo Vladimir Nabokov.
Ma kahi hōʻikeʻike e hoʻomau nei ma ka International Museum of Surgical Sciences, ua ʻimi ʻo Stevie Hanley i ka ʻike o kēlā me kēia lā a hoʻonui i nā palena o kahi hana hoʻokahi i kahi ʻimi ākea o nā hiʻohiʻona, nā manaʻo, a me ka hui pū ʻana ma mua o hoʻokahi. Ua unuhi ʻo Hanley i nā kūlana olakino i ke ʻano o nā hōʻikeʻike kiʻi. ʻO kona hiki ke hoʻopili i ke kala a me nā kiʻi i nā nānā pilikino a me nā nānā hoihoi e hōʻike ʻia ana ma ka hōʻikeʻike Synesthesia.
Ua piha ka Hale Hōʻikeʻike ʻEpekema ʻOkiʻoki Honua me nā mea hana lapaʻau, nā lako, nā mea i hana ʻia a me nā moʻolelo i kōkua i nā kūlana kupanaha a pohihihi hoʻi i ʻike ʻia ma ka hōʻikeʻike. Ua kono ʻo Hanley i nā mea nānā i ʻelua mau wahi hōʻikeʻike; aia nā wikiō a me nā mea hoʻonohonoho ʻelua, a hoʻokahi wale nō me ke kani ʻana o Dolly Parton.
ʻO ka hōʻikeʻike "Approaches" a Petr Skvara, nona nā kiʻi pena enamel ma kahi grid a me kahi hōʻiliʻili o nā ʻāpana i kapa ʻia ʻo "Wreckage, Wreckage, Lagan and Outcasts", ke hōʻike ʻia nei ma ka Hale Hōʻikeʻike ʻo Andrew Rafach ma River West. Hoʻokumu ʻia nā kiʻi ma nā semaphores hae i hoʻohana ʻia no ke kamaʻilio ʻana ma waena o nā moku, a ua hana hou ʻia ko lākou manaʻo ma ke poʻo inoa. Hōʻike kekahi mau kiʻi i nā manaʻo e hiki ke ʻike pū ʻia, e like me "Ke lana nei au / E hāʻawi mai ʻoe iaʻu i koʻu wahi" (2015, enamel ma ka grid). Eia naʻe, he ʻokoʻa ka manaʻo o nā hana ʻē aʻe, ʻaʻole maopopo iā lākou e like me nā hōʻiliʻili o nā ʻōlelo. Heluhelu kekahi kiʻi: "Aia ʻoe i ka pōʻino o ka paʻa ʻana / Ke neʻe nei au i mua," he ʻano ʻino no ka poʻe nele.
Ua haʻi ka hoʻolaha paʻi a ka hale hōʻikeʻike no ka hōʻikeʻike "Approximation" i ka nani a me ka hanohano e pili ana i ka manaʻo o kahi moku ma nā ʻāina ākea o ke kai. ʻO kekahi ala e hōʻike ai i ka hanohano, ʻo ia ka makemake e hoʻokō i ka hemolele ma nā laina kikoʻī o ka semaphore, akā naʻe he ʻano kanaka ke ʻano o ka pena ʻana ma mua o ka paʻi pale.
Ua koho ʻia ka hui kuhikuhipuʻuone ma Kikako ʻo VOA Associates, Inc. ʻo ia ka mea lanakila o kahi hoʻokūkū hoʻolālā kuhikuhipuʻuone ʻeono mahina i kākoʻo ʻia e ka Richard H. Driehaus Foundation.
E hoʻolālā ʻo VOA Associates i ka Pullman Art Space ma ka Pullman Historic District, kahi e komo pū ai me 45 mau hale noho kūpono no ka noho ʻana a me ka hana ʻana, a me nā lumi papa, nā wahi hōʻikeʻike a me nā hale hana. ʻO Artspace Project Inc. ke keʻena nui ma Minneapolis me nā keʻena ma Los Angeles, New Orleans, New York, Seattle a me Wakinekona DC.
Ma ka hoʻokumu ʻana i kahi hana noʻeau, ua manaʻolana ʻo VOA Associates e mahalo i ka "hōʻailona mōʻaukala o ka ʻĀpana Pullman kaulana" a hoʻokipa i ka poʻe hoihoi i ka ulana hana noʻeau i loko o ke aupuni o ka lehulehu.
Ua hōʻike ʻia he 20 mau ʻoihana hoʻolālā hale a ua koho ʻia he 10 mau semi-finalists. Ua loaʻa i nā mea hoʻokūkū hope ʻekolu he $10,000 i kēlā me kēia e hoʻomaikaʻi i ko lākou mau manaʻo, a ua koho ʻia ʻo VOA ma ke ʻano he mea lanakila. Ua kūpaʻa ʻo Pullman Art Space i ka mālama ʻana i ke kūlana o Pullman ma ke ʻano he kaiāulu alakaʻi no nā hana noʻeau ma o ka hāʻawi ʻana i kahi kikowaena hana noʻeau no kona poʻe kamaʻāina.
Ma ka lā 4 o ʻOkakopa, ua hoʻopiha nā kiʻi kālai ʻia he ʻumikūmāiwa na Charles Ray, he mea kālai kiʻi mai Chicago, i ʻekolu mau hale hōʻikeʻike nui ma ka papahele ʻelua o ka Modern Wing of the Art Institute. ʻO ka hapa nui o nā hana he kiʻi hoʻohālikelike a haʻi i kā lākou mau moʻolelo ponoʻī, e like me Sleeping Woman, he kiʻi kila kila nui e hōʻike ana i kahi wahine home ʻole e hiamoe ana ma luna o kahi noho. Akā, ʻo kekahi o lākou he mea hoʻohālikelike ʻole ia, a ua hoʻopūhoihoi ʻelua o lākou i nā mea mālama hale hōʻikeʻike.
ʻO "Unpainted Sculpture" (1997, fiberglass a me ka pena) he hana hou pono ia o kahi Pontiac Grand Am Crusher 1991. Ua ʻimi ʻo Ray i kahi kaʻa kūpono i hōʻino ʻia - ʻaʻole i hōʻino nui ʻia - a ua wehe ʻo ia i hiki ke kūkulu ʻia kēlā me kēia ʻāpana mai ka fiberglass a laila hoʻākoakoa ʻia i loko o kahi kaʻa. Ua hoʻolilo kekahi poʻe i ʻelima mau lā e hōʻuluʻulu ana i ke kiʻi kālai ʻia ma ka Modern Wing Gallery.
Hoʻokahi wale nō koʻu hele ʻana i ka Hale Hancock a ʻaʻole loa au i manaʻo e kipa aku i kahi hale hōʻikeʻike kiʻi, akā, he manawa mua kēia no nā mea āpau. I koʻu leʻaleʻa ʻana, ua ʻike au iaʻu iho i waena o kahi hui nui o nā mākaʻikaʻi a me nā mea paʻi kiʻi e kū ana a e minoʻaka ana ma kahi kokoke i kahi kiʻi nui e kau ana mai ke kaupaku o ka hale. No ke komo ʻana i kahi, pono wau e kū ma kahi pākaukau palekana kahi i scan ʻia ai kaʻu laikini hoʻokele a ua hāʻawi ʻia mai iaʻu kahi palapala hōʻoia barcode i hiki ai iaʻu ke komo ma kahi puka futuristic. I ka wehe ʻana o ka puka, aia wau i loko o ka elevator a loaʻa iaʻu ka manawa kūpono e nānā i ke kiʻi. I koʻu kolo ʻana a hiki i nā puka aniani o ka Hale Hōʻikeʻike ʻo Richard Gray, ua manaʻo wau ua kūpono ʻole wau a ua kūpono ʻole.
Ua hoʻokumu ʻia i nā makahiki 1960, ua lilo ka hale hōʻikeʻike i wahi hana koʻikoʻi no nā mea pena kiʻi mai Chicago a me New York. Ua kuhikuhi ʻia ka hale hōʻikeʻike i nā mea hōʻiliʻili, e hoʻoikaika ana i ke koʻikoʻi o nā kiʻi maikaʻi, ka ʻoiaʻiʻo a me ka maikaʻi. ʻO Magdalena Abakanovic, ʻo Jan Tichy lāua ʻo Jaume Plensa kekahi mau laʻana o nā mea pena kiʻi i hōʻike ʻia e ka Richard Gray Gallery.
E wehe ʻia ana ka hōʻikeʻike Body Building hou loa ma Iulai 6 ma lalo o ka lobby o ka hale nui o ka hale hōʻikeʻike a e hōʻike i ka hana a Susan Rothenberg lāua ʻo David Hockney. ʻO ka Body Building, i mālama ʻia e Gan Ueda lāua ʻo Raven Mansell, e hōʻike ana i ka hana mai nā makahiki 1900 a hiki i kēia lā a e kālele ana i ka pilina ma waena o ke ʻano kanaka a pehea e nānā ʻia ai ma o kahi aniani kuhikuhipuʻuone. Uhi nā hana ma ka hōʻikeʻike i ka wā mai 1917 a 2012 a hōʻike i nā ʻano mea like ʻole a me nā media e like me ka wax, ka ʻīnika, ka hulu hipa, ka penikala a me ke collage.
Ke hoʻomau nei ka Hale Hōʻikeʻike o nā Kiʻi Hou i ka ʻimi wiwo ʻole i ka hui ʻana o nā kiʻi maikaʻi me nā ʻano hana ʻē aʻe. ʻO ka hōʻikeʻike i wehe hou ʻia nei ʻo "Principles of Freedom: Experiments in Art and Music 1965 to the Present" e hoʻolauleʻa ana i ka makahiki 50 o ka hui jazz hoʻokolohua ma Chicago ʻo ka Association for the Advancement of Creative Musicians (AACM), ka mea e hoʻomau nei i ka hoʻokuke ʻana i nā palena o ka jazz.
ʻO ka hōʻikeʻike, i wehe ʻia ma Iulai 11, e noho ana i nā hale hōʻikeʻike ma ka papahele ʻehā o ka hale hōʻikeʻike a he nui nā mea hoʻonoho nui a me nā paia o nā kiʻi pena ʻōlinolino e hōʻike ana i ke kala a me ke ola o ke mele. ʻO nā mea waihona he nui e like me nā kiʻi, nā pepa hoʻolaha, nā uhi moʻolelo, nā hae a me nā puke pai e hāʻawi i kahi pōʻaiapili mōʻaukala waiwai.
Ua hoʻomaka ʻo Wabash Lights e hōʻiliʻili kālā no kahi hoʻonohonoho kiʻi lehulehu ma lalo o ka leka "L" ma Wabash Avenue ma ke ʻano he ʻāpana o kā lākou hoʻolaha Kickstarter. Ma ka hoʻololi ʻana i ke ala lele mai ka loko a i Van Buren i kahi hōʻikeʻike ākea o ke kukui a me ke kala, e huki ʻo Wabash Lights i nā malihini a me nā kamaʻāina. I loko o ʻelua pule, ua ʻoi aku ka hapalua o ka hoʻolaha Kickstarter i hōʻea i kāna pahuhopu, akā pono nō ke kālā piha e kālā i ka hoʻonohonoho hoʻāʻo beta. E hoʻoponopono kēia hoʻāʻo i nā pilikia loea a me ka hoʻolālā i loko o 12 mau mahina. Ke pau ka beta, e kālā ke kālā hoʻopukapuka kālā i ka hoʻonohonoho hope loa.
E komo pū ana ka papahana ma mua o 5,000 mau kukui LED i waiho ʻia ma lalo o nā alahao ma Wabash Avenue. ʻO nā hoʻolālā no ka pae mua e pili ana i ka hoʻonui ʻana ma mua o 20,000 kapuaʻi o nā kukui ma nā poloka ʻelua mai Madison a i Adams. ʻO Wabash Boulevard, kahi wahi i hoʻomālamalama ʻole ʻia o ke kūlanakauhale, e hoʻohou ʻia e ʻelua mau mea hoʻolālā, ʻo Jack Newell lāua ʻo Seth Unger. ʻAʻole hiki i nā malihini ke mahalo wale i nā kala like ʻole, akā e launa pū a hoʻolālā i ke ʻano o nā kala a me nā aka. Me ka hoʻohana ʻana i kahi kelepona akamai a kamepiula paha, hiki i nā kānaka ke papahana a hoʻolālā i nā kukui LED e like me ko lākou makemake.
No ka hāʻawi manawaleʻa a loaʻa nā makana e like me nā Facebook Shouts, nā ʻeke pāʻina, nā pālule T, nā ʻaina ahiahi a nā mea pena kiʻi a me nā mea hou aku, e kākoʻo i ka papahana ma Kickstarter.
ʻO ka hōʻikeʻike hou loa ma ka Hale Hōʻikeʻike Kiʻi Lahui o Mekiko, ʻo Exiled Aliens, e hōʻike ana i ka hana a ka mea pena kiʻi ʻo Rodrigo Lara ma Chicago. ʻO ka hōʻikeʻike, e wehe ʻia ana ma Iulai 24, e komo pū me nā mea hoʻonohonoho kūikawā i hoʻolaʻa ʻia no ka politika, ka neʻe ʻana mai a me ka hoʻopono kaiāulu. Hōʻike nui ka hana i ka hoʻihoʻi ʻana mai o Mekiko i nā makahiki 1930 a me ka hoʻoneʻe hou ʻana o ka poʻe o ka hanauna Mekiko i ʻAmelika Hui Pū ʻIa.
E wehe ʻia ana ʻo Aliens Destroyable ma ka Pōʻalima, Iulai 24 me kahi hoʻokipa mai ka hola 6:00 pm a i ka hola 8:00 pm a e hōʻike ʻia ma ka Kraft Gallery a hiki i ka lā 28 Pepeluali, 2016.